Monday, September 20, 2010

An inspector calls on the Shaw Festival (a review)

The Inspector Calls, in October at the Shaw Festival (Niagara-on-the-Lake, Ontario) is a cleverly designed game classic mystery, full of twists and turns right at the right time, a sure bet for an evening's entertainment. (I rant about the strong ideological content of this game in a separate article). The Shaw Festival presentation is more than competent, but we were disappointed.

And 'a pleasure, year after year, until Benedict Campbell saw the ShawFestivals>. What outstanding, versatile actor! Six years ago he was a faithful follower brilliant Lear, the Earl of Kent, the Stratford Festival (with Christopher Plummer as Lear plays). Since then, fortunately, in Shaw, where two years ago, had to be really emotional and touching Kelli Fox representation of the complex relationship between John and Elizabeth Proctor in the crucible. Last year we were surprised to see him sing and dance inMack and Mabel, strong and in which alone has set the tone for the production fabulous Shaw.

This year, the Inspector of JB Priestley thriller Campbell, and he has just solved the problem and authoritative presence that the role requires. He is in fact so convincing as an agent of British police, many in our audience seemed to difficulties with the possibility that he must be something completely different. Moreover, the public is very Priestleyreferences, beginning with the Inspector Goole called. "However, I think many left the Festival Theater surprised exactly what happened to the family was actually Birling.

The set of An Inspector Calls provides a great platform that rotates 180 degrees imperceptibly during the piece, move with the actors and props. (A friend told us that late in a dress rehearsal, this platform had collapsed under the weight of the actors and had strengthened.) HisObjective seems to be that the public, as new revelations about the characters Birling fact see their lives differently, and the public they need to see from different perspectives and teaching. (As stated in my previous post, Priestley's objective in this game is so much to indoctrinate as it's fun.)

And, indeed, shocking revelations about the meetings between the unfortunate Eva Smith and several members of the Birling family come to keep the publicThe sums in breaking what he thought was the next turn in the plot.

All said and done is missing, but football was out of this thriller. The revelatory moment in the last act, you should run chills up and down the back have came and went without chills. We never had the sense of a mysterious light, which flew by chance on the edge of the crowd. A female figure (which had no lines) appeared confused on the scene between scene changes for no apparent reason. When Arthur andSybil Birling, two of our very popular actors, Peter Hutt and Mary Haney was not allowed to demonstrate her dramatic range and left us flat.

The Shaw Festival artistic director Jackie Maxwell, now control their sixth season seems to follow the practice of his predecessor, Christopher Newton, in allocating at least one slot in a season program, something in the mystery / thriller genre, it sounds like Laura, Sorry Wrong Number, and Agatha Christie adaptations. HereI am reminded that our worst experience at the Shaw Festival involved a piece of this slot, 2006, The Invisible disastrous. The sets and costumes were magnificent, the special effects are superb, and the highest standard. But what he had paid mediocre material to work with! Play the "tension" in which the invisible parts of Griffin's body were revealed during the first scene was about as exciting as a slasher film in which young people always begins in the first cutfive minutes. Nothing to build something, and the invisible man was himself a Johnny-one-note whine. We never know all the characters well enough to take care of them, the playwright and not two important characters, Dr. Kemp and his wife, was to introduce the game to the highest. This year is more like An Inspector Calls.

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